Wednesday, May 20, 2009

"Star Trek"

So I saw the new Star Trek movie. I need to review it twice to be fair. First as a movie, then as a Star Trek movie.

As a movie: bleah. If I did stars, I'd say 2/5. I didn't think it was particularly good. There isn't even an original story: the main plot is a total retread of Star Trek: Nemesis, of all movies, with its Romulan villain and his planet-destroying ship, combined with the original "Starfleet Academy" idea for Star Trek 6. Everything else is cobbled together from a mix of tropes stolen from the previous movies, and as Anthony Lane puts it for the New Yorker:
He [Kirk] is played here by Chris Pine, who struggles with a screenplay, written by Roberto Orci and Alex Kurtzman, that could have been downloaded from a software program entitled “Make Your Own Annoying Rebel.”

As near as I can tell, the movie had no theme. The annoying rebels were pointlessly annoying rebels who had no meaningful conflict, and barely even a sensible character arc. The plot is not only a pastiche at best, but any aspect of it falls completely apart under any kind of logical scrutiny. Basically this is a mindless action movie.

On top of that, I truly loathe Abrams's "breathless" directing. The movie is constantly in such a terrible hurry that it rushes from scene to scene like a sprinter on meth. So as a movie, the whole thing is a madcap rush through a nonsensical plot that fails to engage me on any level. The quality of the acting varies tremendously, but most of it is frankly piss-poor.

Overall I'm not impressed.

**

As a Star Trek movie, well, it isn't. I need to give some background here. I saw my first episode of Star Trek: the Original Series when I was something like six years old. In a way, I grew up with Star Trek. My interest in movies, literature and everything has lead me to read up on Star Trek and its antecendents, specifically some of the ones that inspired Gene Roddenberry. In other words, I've done the kind of thing you might expect someone who's going to create a Star Trek re-make to do.

Coming from this background, the first half hour or so of the movie felt like a calculated slap in the face. All of the fundamental ideas and themes of Star Trek have been abandoned. In the first 30 minutes alone, Starfleet has changed into a quasi-miltary organization where officers snap to attention in the corridors when the Captain walks past, during a catastrophic emergency, behavior never seen in Star Trek before. Despite being seemingly more militaristic, the movie has also totally abandoned the original Star Trek's navy background; an unimaginably awful moment comes at the start when Kirk sr. orders his crew to "evacuate ship". After this, we're transported back to Earth where a young Jim Kirk uses a Nokia telephone and listens to the Beastie Boys. This is a terrible scene, but moreover it finally destroys any impression that you might be watching a Star Trek movie.

Later on we begin to meet the cast. At best, they behave like caricatures of the Original Series crew. Karl Urban delivers a fair impression of Deforest Kelley's Dr. McCoy, but it's an impression, not an acting performance. Zachary Quinto's Spock is occasionally almost good; every time you start warming to him, however, he starts talking like Conan O'Brien's caricature nerd. Chekov is on board in defiance of original chronology, but apparently it was thought necessary to have someone with an accent they can make fun of.

By the way, Spock speaks bad English several times in the movie. His line about "performing admirably" is hideously clunky, but unforgivably, he at one point wonders if he can "ask a query". I do major in English, and if you give me a Vulcan who speaks bad English, I can't take you seriously. Of course, this is a minor gripe given that "alternate Spock" is a raging psychopath who physically assaults people who insult him and maroons subordinates on dangerous planets.

On the topic of characters, it's worth remembering that the original series was politically and socially extremely progressive, even revolutionary. The series that boasted the first interracial kiss on network television, even if the actors didn't actually quite kiss (because the show wouldn't have aired in Klan country if they did), also added a Russian character in the second season. This was a powerful message at the height of the Cold War, telling viewers that in the end, Russians and Americans are both people, and can work together as equals. Contrast this with the movie's Chekov, who is only present to be mocked for his funny accent.

Most insultingly, the movie fails to be a Star Trek movie in the one way that counts the most. Previous Star Trek movies had intelligent content. They had themes. They had something to say. One of the dictums of the original series was that you should be able to watch the show as a kid and enjoy the action, and you should be able to come back to it as an adult and realize that there's a real issue being discussed in a meaningful way. This is one of the essential characteristics of science fiction proper. Another is at least some kind of respect or even lip service to actual science, of which the Original Series is a shining example. Its list of technical consultants is probably the most impressive of any TV show in history.

Abrams's Star Trek, however, is totally brainless. The movie has no discernible theme, and has nothing to say about any issue bigger than itself. As I said, the plot makes absolutely no sense, so the first moment you stop to ask the movie a question, it falls apart. What's more, the physics and science of the movie are, even for latter-day "technobabble" Star Trek, downright insulting. There are thousands of grade school students in the world who understand more about our universe than the screenwriters. Anyone with the slightest idea of astronomy will be stunned to hear Spock recite probaly the most inept "astro-babble" in Trek history.

In other words, Abrams has made a Star Trek movie that can be fun as long as you don't think about it. That's not science fiction; that's definitely not Star Trek.

**

I could go on for ages. In fact, I may yet, as taking apart everything that's wrong with this movie would take a lot of writing. My overall impression is that I'm far more disappointed by this movie than I thought was possible. Not only have Abrams and co. made a remake that abandoned all the core ideas of Star Trek, they've made it ineptly. They didn't bother to write their own plot; instead they created a mishmash of "Starfleet Academy" and ST: Nemesis. Their script is totally brainless. Their characters are at best caricatures, at worst one-dimensional cutouts. The mindless action movie they're calling "Star Trek" isn't even good.

Overall this was the most disappointing movie I've seen in years. It was just awful. I'm unspeakably disgusted by the reviews that say Abrams's team has respected the show's legacy. Given that they've abandoned all the core ideas of Star Trek, from what I know of Gene Roddenberry, he would have hated this. His show, which had a theme and a message, and his characters have been reduced to a one-dimensional parody of themselves to flog a bad action movie. This movie is an insult to his legacy.

**

Seeing this movie was actually one of the most depressing single experiences I've had this year. I'm not exaggerating when I say that it leaves me feeling disappointed, depressed and alienated. I was planning to do this anyway, but J.J. Abrams made my decision for me: I'm retreating to the Finnish countryside to recuperate. Things will be pretty quiet on this blog for most of the summer, but I'll make the occasional post, and be back for good latest in August.

Have a nice summer, everyone!

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